基本信息
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Bio
He was appointed as James Rossiter Hoyle Professor of Music at Sheffield in 1993, and took up the post of Heather Professor of Music at the University of Oxford in October 2007. Professor Clarke is an Associate Editor of the journals Music Perception and Musicae Scientiae, is on the editorial boards of Empirical Musicology Review, Radical Musicology, and Per Musi; and is a consulting editor for Psychology of Music. He was an Associate Director of the Arts and Humanities Research Council´s Research Centre for the History and Analysis of Recorded Music (CHARM) from 2004-2007, and of the AHRC Phase II Research Centre for Musical Performance as Creative Practice (CMPCP, 2009-2014)), was elected to membership of the Academia Europaea in 2009, and was made a Fellow of the British Academy in 2010.
His research and teaching cover a number of areas within the psychology of music, music theory, and musical aesthetics/semiotics. He is the author of a monograph on listening (Ways of Listening. An Ecological Approach to the Perception of Musical Meaning OUP, 2005), co-author with former colleagues Nicola Dibben and Stephanie Pitts of Music and Mind in Everyday Life (OUP, 2010), co-editor with with David Clarke (Newcastle University) of Music and Consciousness (OUP, 2011), co-editor with colleagues from CHARM of the Cambridge Companion to Recorded Music (CUP, 2009), co-editor with CMPCP colleague Mark Doffman of Distributed Creativity (OUP, 2017). He has published widely in journal articles and book chapters on topics including expression in performance, the perception and production of rhythm, musical meaning, the relationships between music and language, the analysis of pop music, the history and aesthetics of recorded music, music and the body, music and consciousness/subjectivity, and music and empathy. Current projects include: Musical Subjectivities, a monograph based on lectures delivered at the British Library as the Royal Holloway-British Library Distinguished Lectures in Musicology; a second edited volume on Music and Consciousness (OUP); a five year AHRC research project (2016-21) on Transforming C19th Historically Informed Practice (PI Claire Holden).
His research and teaching cover a number of areas within the psychology of music, music theory, and musical aesthetics/semiotics. He is the author of a monograph on listening (Ways of Listening. An Ecological Approach to the Perception of Musical Meaning OUP, 2005), co-author with former colleagues Nicola Dibben and Stephanie Pitts of Music and Mind in Everyday Life (OUP, 2010), co-editor with with David Clarke (Newcastle University) of Music and Consciousness (OUP, 2011), co-editor with colleagues from CHARM of the Cambridge Companion to Recorded Music (CUP, 2009), co-editor with CMPCP colleague Mark Doffman of Distributed Creativity (OUP, 2017). He has published widely in journal articles and book chapters on topics including expression in performance, the perception and production of rhythm, musical meaning, the relationships between music and language, the analysis of pop music, the history and aesthetics of recorded music, music and the body, music and consciousness/subjectivity, and music and empathy. Current projects include: Musical Subjectivities, a monograph based on lectures delivered at the British Library as the Royal Holloway-British Library Distinguished Lectures in Musicology; a second edited volume on Music and Consciousness (OUP); a five year AHRC research project (2016-21) on Transforming C19th Historically Informed Practice (PI Claire Holden).
Research Interests
Papers共 77 篇Author StatisticsCo-AuthorSimilar Experts
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MUSIC & LETTERSno. 3 (2023): 500-503
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Music and letters/Music & lettersno. 3 (2023): 500-503
Together in Musicpp.119-128, (2021)
Oxford University Press eBooks (2020)
Oxford Scholarship Online (2017)
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Author Statistics
#Papers: 77
#Citation: 2085
H-Index: 23
G-Index: 45
Sociability: 6
Diversity: 2
Activity: 0
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