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Alan's research focuses on the music of Henry Purcell and his contemporaries in Restoration England, and more broadly on music between the sixteenth and early eighteenth centuries. Methodologically, alongside interests in historical musicology and editorial practice, he is particularly interested in developing contextualised analytical approaches to this repertoire; his Ph.D. thesis ‘Purcell and the Poetics of Artifice: Compositional Strategies in the Fantasias and Sonatas’ (King’s College London, 2006; supervised by Prof. Laurence Dreyfus), explored the analytical potential of contrapuntal artifice in the context of Restoration ideas about the nature of musical expression. He has published research in leading journals including the Journal of the Royal Musical Association, Music and Letters, The Musical Times and Early Music; his edition of Odes on the Death of Henry Purcell for the Purcell Society was published by Stainer & Bell late in 2013, as was a volume of essays jointly edited with Rebecca Herissone, Concepts of Creativity in Seventeenth-Century England (a full list of published research can be found here). Most recently, his book Compositional Artifice in the Music of Henry Purcell was published by Cambridge University Press in 2019. Current projects include critical editions for the Works of John Eccles (Theatre Music, vol. 3) and Musica Britannica (William Croft, Occasional Odes), as well as further volumes for the Purcell Society.
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EROTICISM IN EARLY MODERN MUSIC (2015)
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