赋体情感的丧失及衰亡
Journal of University of Jinan(Social Science Edition)(2018)
Abstract
辞赋的本质要义在于铺陈与情感,这是导源于《离骚》的本质特征所决定的.自先秦两汉到唐宋,辞赋铺陈与抒情的功能逐渐丧失.先秦《离骚》的怨怼激怒之情,两汉骚赋的孤独忧愤之感,是以骚体篇幅的广博、句中“兮”字连接更长字词构成的长句结构、散语的广泛使用和凭虚夸饰为语用支撑.魏晋六朝小赋虽以体物言情为要,但情感寡淡,言之无物,多为个体吟叹,缺乏前代的忧国壮情.这是由于篇幅的精短、上下属对和联句声韵讲求的影响.唐宋以将,律赋主导,篇幅字数、押韵规则和隶事用典的进益讲求,使得律赋无情.赋体究因体制的限定而丧失初始的本质特征,遂为异体.
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